2012年

创建于 2012年9月04日

开幕式:当代交响音乐会
Opening Concert: New Symphony

时间:10月14日 星期日 19:30  14th October Sunday 19:30
地点:上海音乐厅   Shanghai Concert Hall

 
叶国辉  《曲水流觞》(《流觞曲水》 ——为女高音、交响乐队与影像而作 )  10'
 Ye Guohui   Drinking Wine by the Stream’s   Choice for Soprano, Orchestra and images
 女高音:李秀英  

许舒亚 《涅槃》 (2000)  11’
Xu Shuya   Nirvana

叶小纲 《悲欣之歌》op.65  (中国首演)20' 为低男中音与乐队而作
Ye Xiaogang  Song of Sorrow and Comfort
男低音:沈洋  Bass: Shen Yang

Intermission


温德青 《听花的声音》(2012 世界首演)  10'
Wen Deqing  Bending an Ear to Flowers

Sofia Gubaidulina 《奉献经》(1980)  35’  小提琴协奏曲
S. Gubaidulina  Offertorium
小提琴:王之炅   Violin: Wang Zhijiong


演奏:上海爱乐乐团
Performance : Shanghai Philharmonic Orchestra

指挥:Jurjen Hempel
Conductor:Jurjen Hempel [荷兰]


 

 
创建于 2012年9月04日

鞑靼作曲家Sofia Gubaidulina专场音乐会
Concert Portrait of Sofia Gubaidulina

时间:10月16日 星期二 19:15   16th October Tuthesday 19:15
地点:贺绿汀音乐厅   He Luting Concert Hall


Trio for violin ,viola and cello   1988   20’
《三重奏》 为小提,中提,大提而作(1988年) 20分钟

String Quartet no.3               1993    12’
《第3号弦乐四重奏》 (1993年) 12分钟

Der Seiltanzer    violin and piano   1993   17’
《钢索上的舞者》为小提琴与钢琴而作(1993年)17分钟

Quasi Hoquetus   viola  cello and  piano   1984   15’
《近乎打嗝》为中提,大提与钢琴而作(1984年) 15分钟

 


 

 
创建于 2012年9月04日

 瑞士作曲家Heins Holliger作品专场音乐会


时间:10月17日 星期三 15:30-17:00   17th October Wednesday 15:30-17:00
地点:北楼报告厅  
表演者:日内瓦Contrechamps乐团

Trema     viola   1981    13’
颤抖
Vier Lieder ohne Worte Ⅱ     violin  piano  1985/1994   20’
(Songs without words)
无词歌
Romancendres      cello piano   2003   20’
Drei Skizzen      violin  viola   2006     12’

 

 
创建于 2012年9月04日

       瑞士日内瓦Contrechamps室内乐团成立于1980年,受日内瓦政府支持,以演出当代的新作品为自身特色。编制曾达25人。Contrechamps乐团录制了许多二十世纪重要作曲家的作品CD,也演出了许多为其量身打造的作品。2011年9月起,Michael Wendeberg成为Contrechamps的音乐总监。     Contrechamps经常应邀去世界各地的演出并且多次参加音乐节:法国斯特拉斯堡音乐节,巴黎秋季艺术节,比利时布鲁塞尔音乐节,葡萄牙里斯本现代音乐节,安卡拉音乐节,法兰克福国际音乐节,琉森音乐节等等。
       在日内瓦Contrechamps乐团与Electroacoustique音乐中心高等音乐学校、日内瓦大剧院和历史艺术博物馆合作。Contrechamps乐团也为学龄人群做了举办了许多教育性活动,如讲习班、课堂上的音乐会、排练以及为孩子们举办的音乐会等等。

      

 
创建于 2012年9月04日

Harrison Birtwistle
Birtwistle was born in Accrington, a mill town in Lancashire some 20 miles north of Manchester.His interest in music was encouraged by his mother, who bought him a clarinet when he was seven, and arranged for him to have lessons with the local bandmaster.[2] He became proficient enough to play in the local military-style band, and also played in the orchestra which accompanied Gilbert and Sullivan productions and the local choral society's performances of Messiah. Birtwistle composed from around this time, later describing his early pieces as 'sub Vaughan Williams'.
In 1952 he entered the Royal Manchester College of Music in Manchester on a clarinet scholarship. While there he met fellow composers Peter Maxwell Davies andAlexander Goehr, who, together with pianist John Ogdon and conductor Elgar Howarth, formed the New Music Manchester group, dedicated to the performances ofserial and other modern works.
Birtwistle left the college in 1955 then studied at the Royal Academy of Music and afterwards made a living as a schoolteacher. In 1957 he spent a short period of time in the sales office of Bells Asbestos and Engineering in Slough. In 1965 a Harkness Fellowship gave him the opportunity to continue his studies in the United States and he decided to dedicate himself to composition.
In 1975 Birtwistle became musical director of the newly established Royal National Theatre in London, a post he held until 1983. He has been honoured with a knighthood (1988) and as a Companion of Honour (2001). From 1994 to 2001 he was Henry Purcell Professor of Composition at King's College London. Birtwistle was the 1987 recipient of the University of Louisville Grawemeyer Award for Music Composition. in 1995 he was awarded the Ernst von Siemens Music Prize.
At the 2006 Ivor Novello Awards he criticised pop musicians at the event for performing too loudly and using too many clichés.
The artist Adam Birtwistle is his son.

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